E-Filmes

Oie, só pra avisar que o site continua existindo viu galera...

www.e-filmes.com

Saudades & música

A trilha sonora de um filme sempre foi a maior responsável pelo meu interesse pelo mesmo e isto começou quando era criança. Um dos maiores responsáveis foi o filme "The Working Girl" que assisti no Cinema Icaraí (Niterói) junto com minha mãe e colegas, quando era criança.Agora que a saudade apertou estou ouvindo a música. (E o dvd claro, já garanti faz tempo...)

Filme: The Working Girl (Uma Secretária de Futuro)
Música: Let the River Run (Carly Simon)

We're coming to the edge,
running on the water,
coming through the fog,
your sons and daughters.

Let the river run,
let all the dreamers
wake the nation.
Come, the New Jerusalem.

Silver cities rise,
the morning lights
the streets that meet them,
and sirens call them on
with a song.

It's asking for the taking.
Trembling, shaking.
Oh, my heart is aching.

We're coming to the edge,
running on the water,
coming through the fog,
your sons and daughters.

We the great and small
stand on a star
and blaze a trail of desire
through the dark'ning dawn.

It's asking for the taking.
Come run with me now,
the sky is the color of blue
you've never even seen
in the eyes of your lover.

Oh, my heart is aching.
We're coming to the edge,
running on the water,
coming through the fog,
your sons and daughters.

[guitar]

It's asking for the taking.
Trembling, shaking.
Oh, my heart is aching.
We're coming to the edge,
running on the water,
coming through the fog,
your sons and daughters.

Let the river run,
let all the dreamers
wake the nation.
Come, the New Jerusalem.

A Gata Comeu

Música de abertura da novela A Gata Comeu, de 1985.

Comeu - Magazine (Kid Vinil)

Ela comeu meu coração
Trincou, mordeu, mastigou, engoliu, comeu
Comeu

Ela comeu meu coração
Mascou, moeu, triturou, degludiu, comeu
Comeu

ela comeu meu coração de galinha no xinxim
Ai de mim!

Ela comeu meu coração de leão naquele sonho medonho
E ainda me disse que é assim que se faz
Um grande poeta

Uma loura tem que comer seu coração, não!
Eu só quero ser o campeão da canção
Um ídolo, um pateta, um mito na multidão

Mas ela não entendeu minha intenção
Tragou, dissolveu, degustou, digeriu, comeu
Comeu..

Foto Gillian - Evening Standard

Existem outras sei lá quantas fotos mas tinha que colocar alguma delas aqui pelo menos...
Amei, já gostei do fotógrafo, que se chama Tony alguma coisa porque o nome dele tá tão minúsculo que não consigo ler o sobrenome. Valeu Tony!

Deveria estar mimindo...

É, eu devia estar no sétimo sono mas quem disse que eu vou conseguir...acho que preciso me dopar de chá de camomila pra conseguir algum efeito calmante!

AAAAhhhhhhhhhh e quem disse que eu quero dormir, queria ficar 24 horas no ar.

Bom domingo pessoal!!!!!!!!!!!!!!!!!!

Transcript interview BBC4 - Gillian Anderson

Thanks Wendy!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Galera, a minha colega Wendy fã da Gillian que mora no Reino Unido fez algo maravilhoso....ela colocou o transcript da entrevista da GA. Na verdade quem fez o transcript foi a Laura (brigaduuuuuuuuuuuuu)
Então eu vou colocar aqui pra vocês! (alguns acentos estão loucos não sei o motivo e vou colocar assim mesmo, é insignificante)

But first The Mighty Celt. Writer director Pierce Elliot’s movie set in Belfast is a boy and his pet story in the tradition of Disney’s Old Yellow and the Ken Loach classic Kes. Gillian Anderson, best known still as Agent Scully of the X Files, plays Kate the anxious Northern Irish mother of the films hero, a smoking, swearing 14 year old redeemed by his passion for training greyhounds. He gets the chance to train a dog which he calls The Mighty Celt, with the chance of owning him if he wins 3 races in a row. The story is complicated by the arrival of Robert Carlyle, playing a mysterious stranger from Kate ’s past, an IRA man who has returned from being on the run. He is keen to make a new life in a peaceful Northern Ireland with his former girlfriend Kate.

(clip)
RC: You look the same as you always did.
GA: Sure I do...stop staring at me.
RC: Jeez Kate I’m sorry.
GA: You're looking at me like a cat looks at a goldfish.
RC: You'd never think that we erm.
GA: No.
RC: Someone said to me once, there's 2 types of people that live here...survivors and victims. GA: And d’ya know what? I’m both of them...I’m a surviving victim like a million others here but here shanee? life goes on.

Gillian Anderson and Robert Carlyle.

When I met Gillian in London, I asked her what draws a glamorous American actress like her to take on the supporting role of a downtrodden Northern Irish single mother?

I read the script and I just found it really moving and thought y'know what? I have to do this.

But it isn't the starring role. You don't carry the picture. ..some actresses would have said "oh no, this is beneath me darling"

I don’t know, I've done lots of things where I don’t carry the picture I just love good material and I love individual characters and I don’t think it ever really occurs to me whether something is starring role or not. I mean I don’t wanna y'know be an airline stewardess who has 2 lines, but y'know if something is weighty and has meaning for me...and moves me then i'll definitely consider doing it.

A good deal of your time in this film is spent working with RC, and you have to imply a lot of things in your back story that aren't really spelt out for the audience. Did you discuss these with Robert or did you prefer to keep your distance..there's a kind of wariness in your relationship isn't there?

Actors work in different ways, and sometimes it feels appropriate and sometimes it doesn't feel appropriate to have big conversations about what was…and we didn't...I don’t know whether it was a mutual decision or individual but it was also nice that there was such awkwardness between the 2 of us at the beginning at least because of what had taken place between us.

Now you went to DePaul Theatre School in Chicago, and there the whole curriculum was based around theatre studies and it seems to me that you've always taken time out to do theatre...which are you most drawn to: theatre or film?

Theatre absolutely terrifies me…and at the same time I, I love it and am always in a state of flux between thinking why did I take this on and how extraordinary this experience is whenever I do a new play and so I think there's part of me that, that thinks that it will continue to be a part of my life but maybe once every 2 or 3 years rather than a play, yeah I think that's about as much as I can handle.

Do you still find that the vast majority of part you are offered have similarities to Agent Scully? The sceptical, smart sort of roles?

I think America's still having a hard time thinking of me in any other kind of role but over here it's been, it’s been a real blessing actually.

How do you seek out roles that are so very different?

I don't actually seek them out...they come to me, I don’t like knocking on people's doors or, or trying to convince somebody to hire me for something so I usually wait for something to fall in my lap and that seems to work 'cause then I get to live the life I want to live in between jobs as well. So I, I’m never gonna be one of those people who goes from job to job to job..that doesn’t' really interest me.

I mean, it seems to be that you're actually one of the really undervalued actresses in the world today 'cause you've had this misfortune that some really good actresses do which is you've given fantastically good performances in films that nobody has gone to see, like in The Mighty, Playing By Heart and even House Of Mirth, although they've been critically well received, none of them has really taken the box office by storm. They do of course give you this track record of doing very VERY different roles, are you deliberately seeking out these roles to go against the stereotype that people have of you?

I think part of it is wanting to be challenged and feeling like I have a lot of potential characters inside of me that I would like to release into the world at some point and so I choose ah, to do varied roles for that reason and also I'm sure there's part of it that has to do with trying to get rid of that stereotype that still has a tendency to haunt me. It is unfortunate that the films that I have done haven't really been seen, but I respond to material and I, I don't often make choices based on whether I think something is going to be a public success and that may end up being a negative thing for my career, but doing the opposite would feel like a negative thing for my soul, y'know for me as a human being...to make choices based on whether I thought that it would make me more famous or get awards or be out there in the public domain more.

The talented and versatile Gillian Anderson. TMC is out now, certificate 12A.

Simpsons - Segredos Obscuros

EEEEEEEEEEEHHHHHHHHHHHHHHHHHHHHHH!!!!
Depois de séculos querendo ter como parte do meu belo e pequenino acervo de dvd´s devo dizer que consegui finalmente ter entre os mesmos, juntos com as maravilhas das temporadas de The X-Files a coisinha mais legal do mundo. A paródia feita pelos Simpsons envolvendo os Agentes Mulder e Scully - e tendo a voz do David e da Gillian!!!! Ah sinceramente muito bom agora entendo porque os fãs sempre consideraram o dvd primordial! E melhor ainda, comprei numa liquidação, diferença de preço de quase 40%....me dei bem!!!!!
Quem puder veja porque vale muito.
E assim com mais um momento de alegria total eu começo meu domingo, porque já passa da meia-noite, de maneira melhor ainda!!!!!!!!!!!!!!!!! Viva The X-Files!!!! Viva Gillian Anderson!!! E ipi-ipi- urra pra mim!!!!! (sem falsa modéstia!)

Surtei!!!!!!!!!

Ah nada melhor do que algo que te faz extremamente feliz pra você ter a sensação que o dia foi lindo, que a noite será bela e o dia posterior nada mais que um belo arco-íris a se formar...bem, ontem pensei como seria a entrevista. Hoje ouvi por aproximadamente 10 minutos Gillian Anderson na BBC4 e adorei!!!!!!!!!!!!!!!
Uepa! É bom ter algo que motive a gente, sempre!
Boa semana!!! (eu já ganhei a semana e o próximo mês!)